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The Confusing Coronation of Karel I – a short story

15 January 2021 by villia Leave a Comment

The wars were mostly over, and the battles won. Spring was in the air and the sun shone on the congregation as they slowly marched past a man with a long sword. He was guarding the entrance. He smiled at the guests as they walked through the door, into the almost dark building, while looking out for archers hiding in the bushes, or militias running over the hills. He stood there, relaxed. The day seemed peaceful enough. Just as well. You didn’t want trouble as the new king was being coronated.

‘In these troubled times, stability and firm leadership is what we yearn for. A peace in the land and prosperity for our people! We have been abandoned by the Gods and we may never enjoy their protection again, so it is of great importance that we build the society we want to live in, where everyone is free to prosper and live to old age.’ The cardinal was dressed in a red cardigan to show his closeness to the Divine. Red was hard to come by, and he was eager to establish a divide between the Holy and the ordinary.

Karel Widebrook was kneeling before him. He was still handsome, and the battle scars only added to his masculinity. His sixteen-year-old son, Lomer, followed the proceedings from the side.

The priest continued. ‘It is my pleasure and Holy duty to crown this man, Karel Widebrook, to be our first king! May his reign be long and prosperous, and may he bring peace to our realm. Hooray!’

The fifty or so people gathered around, raised their voices and swung their swords in the air. Karel the First, Karel I as the priest had insisted. Kings would be called by their first name only, they were above and beyond surnames. Their title was enough to distinguish them from others. Besides, Widebrook wasn’t a great surname. They had given it to him after his many encounters with members of the fairer kind. Wide open, they said, his pants. Ye broke is mighty wide, ye old hag, they had laughed. Now that he was a king, he had to appear respectable.

Karel hadn’t understood why he was to call himself I. Karel I, I am a king and so I shall call myself I.

‘It isn’t Karel I, it is Karel the First, but you will write it as Karel I,’ the cardinal had explained

‘I see,’ Karel lied.

‘It is the way of the Gods. They count like this when they mean business. I is one, II is two, III is three and so forth.’

‘It’ll be mighty many I’s as you reach hundred.’

The man of cloth smiled. The king-to-be had much to learn. V is five, X is ten, L is fifty, C is hundred, M is thousand. So, I, II, III, IV, V, VI, VII, VIII, IX, X. That’s how you count to ten.’

‘Why not 1, 2, 3, 4, 5, 6, 7, 8, 9, 10? Seems a lot easier.’

‘My lord, you must understand that once you are king, you must distinguish yourself from the masses. They must not understand everything about you. You are above them.’

‘I did not fight to become better than them and I don’t understand this IVX business myself.’

‘You can’t say IVX. That wouldn’t make any sense. XIV is fine, that’s fourteen.’

‘Why does that make sense and IVX not?’

‘You will understand in due time.’

The cardinal was wrong. Karel I lived to be 53 years old, he reigned for 14 years, coincidentally the number he didn’t come up with on that day, but he never learned to count like the Gods supposedly did.

The years after the coronation weren’t very different from the years before it. There was fighting, but while he had fought to gain control of the realm before, now he had to fight to keep it and that was a lot harder.

His reign ended on a rainy night in the year 948.

He never learned to write down the years. 948 wasn’t quite M, but it was much more than C. The cardinal was long dead himself, by this time, or he might have explained that it was the year CMXLVIII. It is doubtful Karel I would have remembered anyway, had he been told.

Karel died by rather conventional means. He was sleeping when an assassin sneaked into the simple building and stabbed him. It is quite tragic that they didn’t have castles back in the day. It could have saved him.

But such is death. It doesn’t wait for us to find the means to defeat it.

Karel I was succeeded by his son Lomer I who in turn was succeeded by Karel II. And so it continued for C’s.

This story is the second installment in the Moments series.

Filed Under: Short Stories, Writing Tagged With: moments, short stories, short story

A New Beginning – a short story

8 January 2021 by villia Leave a Comment

The fig leaf didn’t sit comfortably. It rarely did. She couldn’t understand why he insisted on them wearing the damn things, it’s not as if there were other people around. And if there were, would it have mattered? We’re all created the same, except for the obvious differences between the genders. Who dictated what body parts on another person you could see? Why was it fine to see the arms, back, face, but not downstairs? See, you couldn’t even name the sacred places without worrying about offending someone.

Today was beautiful as usual. Butterflies chasing each other, she’d seen a deer in a meadow down by the crystal clear stream and the birds were chirping and jumping from branch to branch. She awkwardly adjusted the fig leaf, tried to make it stay put, wondering again why she even needed the thing. As it got dark, they usually threw them off, rolled in the grass and acted like the wild horses. Playing, sensing each other. During the day, cover yourself with a leaf. It was pointless, she thought. None of the animals paid them much attention anyway.

The bushes were blooming and the berries ripe. She loved the berries. They were sweet and when they were getting a little soft, made her feel funny. She picked a handful and put them, one by one, in her mouth. The sweet taste flowing over her tongue. She picked another handful and ate them, gently squeezing each berry between her teeth until it burst. The sensation when the juice flowed through her mouth was so sensual. Smiling and ever so slightly dizzy, she looked to the sky and walked on through the soft grass.

There was an old tree in the middle of this forest, a trunk so thick she couldn’t get her arms halfway around it, with a crown so dense that it kept the surroundings in perpetual shadow. Sometimes she would come here and take a nap during the warmest time of the day. She touched the rough bark, running her fingers down the trunk. How old are you, she asked the tree silently? What stories could you tell us if you could speak? Are you the oldest living thing in the world? Did you spawn everything that is? Is that why I have been told not to eat your fruit? Are you the tree of life or something like that?

The tree didn’t speak, so she never got her answer. It had been here forever, or so it seemed. She was forbidden from eating the fruit, but was never told why.

Her head was light, probably from the berries. Slightly dizzy, but not in a bad way. She lay down, leaning against the tree, and looked up towards the sky. She watched the flies dance in the air and the birds circling far above.

The green leaves and bright red apples moved gently in the soft breeze, almost forming a blur of colour. The surrounding grass made a soft sound as it drifted back and forth. The colours blended in her mind like in a kaleidoscope and slowly faded to black.

Her stomach woke her up. The berries were playing tricks on her again, and she was hungry. It took some effort, but she managed to stand up. Smiling, she took a deep breath and stretched her arms upwards, let her fingertips feel the smooth surface of a large apple. It looked delicious. Her tummy growled slightly. She gripped the apple, turned ever so slightly, and pulled. The fruit fit her hand so well, almost like someone had designed for her to pick it and eat. It smelled nice too.

A small bird flew up from the ground, screaming. Like something had startled it. Indeed, something was moving through the grass. She froze, tried not to panic. With a firm grip on her apple, she looked in the sound’s direction. It was coming from beyond the tree. A small head appeared and two piercing eyes looked at her.

A snake! She stood there, heart beating fast, unable to move. The snake crawled up towards the tree and proceeded in climbing the trunk, all the while keeping its eyes on her. As it came face to face with her, it stretched its head in her direction. She wanted to run, but could not.

‘Nice apple you have there.’

‘You are a snake.’

‘Yes, I am aware of that.’

‘You’re talking to me.’

‘Why is everyone so surprised by that? I can speak, you can speak, it’s not a big deal.’

She took one step backwards. ‘You can have it.’ She stretched her arm and gestured as casually as she could towards the apple.

‘There are plenty of apples. Why would I want yours? Besides, I’m not a vegetarian.’

‘What’s that?’

‘Vegetarians don’t eat other animals.’ The snake smiled and stretched its head further towards her.

Eat other animals? Why would you do that, she thought to herself. Is that what the snake was going to do? It gave her the chills. ‘It’s fine. I don’t need it. I shouldn’t have picked it. You can have it.’ She remembered having been told not to come to this tree. No explanation given, just don’t go to the tree. She wondered what was so special about this place. Maybe it was sacred? Sacret was a word she’d heard used but had no clue what it meant. A sacred tree, a secret body part. Sacret was forbidden? Special? Who knew?

Maybe it was as simple as there being a snake nest, and that was why? Nobody had explained that. Just like with the fig leave, so many rules but no apparent logic to it. She was a woman, didn’t need to know, just obey.

‘Eat the apple,’ the snake hissed.

‘No, it’s fine.’

‘Scared?’

‘No, of course not!’ Never show animals they scared you or it would attack you. This much she knew.

‘It’s perfectly fine. You can have the apple. I won’t do anything.’

With that, the snake’s head pulled ever so slightly backwards, the mouth opened, revealing the sharp fangs. It looked her in the eyes one last time before closing his, then latched forward. Her reflexes were awake and as the snake flew plunged towards her, she threw the apple in its direction. She jumped out of the way, landing in the grass, never taking her eyes off the snake. It was like everything was happening in slow motion. As she crashed towards the ground, the apple flew through the air and smashed against the snake’s head. It bounced off, and the snake fell to the ground. She jumped up and quickly took the animal by the tail. Before it could gain its senses, she spun it in the air and the head rammed against the tree trunk. She did this repeatedly until there was no sigh of life.

The berries had worn off instantly. She smiled and picked up the apple. After taking a deep breath, she took a large bite and enjoyed the sweet taste of the fruit.

In the distance, she heard the distinct sound of a two-legged creature moving through the grass. She turned and smiled at him.

‘Eve, what are you doing? I’ve been looking for you.’

Smiling, she raised her hand and presented the limp animal. ‘I have dinner. It’ll get dark soon and we should build a fire. I’m sure this tastes nice.’

Adam smiled and kissed her on the cheek. ‘Good job. I’m starving.’

The fig leave had fallen off in the fight with the snake. She hadn’t put it back, and she wasn’t planning to. Adam could do what he pleased, but she was her own person and wouldn’t be told what to do.

It would be good to take it easy on the berries though, she thought to herself as they approached the meadow where they usually lit a fire for the night.

This story is the first installment in the Moments series.

Filed Under: Short Stories, Writing Tagged With: moments, short stories, short story

Is it possible?

3 January 2021 by villia 2 Comments

The decision to dedicate 2021 to short fiction wasn’t taken a long time ago. It was two days before Christmas and I was aimlessly browsing the web. Came across a list of 52 short story concepts on Tumblr and it made me think. What if…?

I have written 2-3 shorts in my entire life. 4-5 if you include short film scripts that could potentially be adapted to stories. Writing 52 in as many weeks seems like a challenge destined to fail. So, why not?

I immediately started working on ideas. The concepts the Tumblr list presented me with start with the following.

A story entitled “A New Beginning”.
A story about rising to a challenge.
A retelling of a fairytale.
A story about three siblings.
A story set in London.
A story about finding something that has been lost.
A story about a journey.
A story set during a war.

Fairly vague concepts. I really have to come up with the stories myself. What this list does is give me a starting point. It will prevent me from writing the same story time and time again. So, what do we have so far?

A New Beginning is finished and will be published next Friday. The story about a challenge is written, I just need to edit it a bit. The fairytale? I dabbled in Little Red Riding Hood, Cinderella and Sleeping Beauty, but ultimately settled on Norse Mythology where Mjölnir, Thor’s hammer, is stolen by the Jotnar and must be brought back. I’ve just started that one. Three siblings, I’m thinking about the great flood in the Netherlands in January 1953 but haven’t come up with a concept. That may change, it may become something entirely different. London, lost and journey, I have no idea. A story set during a war, I have an idea of what I want to do there but haven’t written anything yet.

None of this existed prior to 22 December 2020.

So you see, this really is 52 stories in 52 weeks. I don’t have anything laying around that I can use. This year will see my typing a lot, struggling to write more than I’ve ever done. Life is bound to get in the way.

Here is hoping someone will discover this project and cheer me on. I think I’ll need it.

Look out for A New Beginning coming Friday.

Filed Under: Blog, Personal, Writing Tagged With: 2021, 52 week challenge, short stories, writing

52 Moments

1 January 2021 by villia Leave a Comment

HAPPY NEW YEAR!

2020 was a drag. Many say the worst year ever and that may be true for some, but there have been worse years in history. I have had worse years. 2020 was still a drag and I can’t wait to go out without a facemask, go on holiday, meet the family… heck, just go sit in a café with my laptop and type while enjoying a double espresso.

It’s the simple things in life I miss.

So… simple things. I haven’t written much lately. There was going to be a novel in 2020, but it all seemed so pointless, seeing what was going on. I am still not ready to dedicate myself to a novel, even if I have one almost done. Time to simplify one’s life.

2021 will be a year of great triumph or a massive failure. I have dedicated myself to writing one short story every week. Really short and simple stories, 1000 words or thereabouts. But every week. A new story. No serials, no blog posts, but proper stories. Moments in time of various characters. Every week.

I’m not a betting kind of type but if I was going to put money on this, I’d say it’ll fail. It’s a New Year’s Resolution and we’ll just have to see if it survives January.

So, there we have it. 2020 was a drag, 2021 will hopefully be better for us all. Look out for the first story on the 8th. It’ll be called A New Beginning and it really takes us to the very beginning of time… if you believe in that sort of thing.

Cheerio!

Filed Under: Blog, Novel, Personal, Writing Tagged With: blog, short stories, writing

It’s (not) All About the Money

6 January 2020 by villia Leave a Comment

I have decided to stop charging for my books.

Writing is a passion. Certainly in the beginning, before you build an audience. You write because there are voices, people and stories in your head that want to get out into the world.

If you’re lucky, you sell a million books and can make a living from your passion. I never reached that. I’m not sure if it’s a good thing or not. I remember when I started making films and videos for a living, my hobby became a source of income and I was forced to make more videos and films. The magic was gone.

Would that have happened in writing? I’m not sure. Writing involves less people and I can do whatever I please. This probably changes as you hit a nerve and build an audience and have to please them in some way. But as a hobby writer without an audience to speak of, I could write whatever I wanted. It remained fun up until the end.

My first novel dealt with an Icelandic business man entangled in seemingly supernatural events. It was a story that just came into being, I was just there to write it. My second dealt with the Spanish Civil War because I was interested in that at the time. My third (unpublished) took a look at life in Amsterdam in the final year before World War Two broke out.

Recently, I created a medeaval world where the gods interfere with the lives of the people, where the church and king try to retain power and the kids try to break out of their routine lives, either by joining the army or planning a revolt against the gods and king. I never finished that.

Those are all wildly different projects. I’m not sure if it’s because my interests are all over the place (they are) or if I haven’t found my voice or niche. Knowing myself, once I’d found my niche, I would try to break out of it.

There is a problem. I don’t have the time to explore my voice, my audience or thoughts in general. A full time job, family and the usual stuff leaves little time to write. That’s why it takes three years to write novels, why I don’t have time to properly publish them. It is the reason why I finish a draft and then leave it for a year or more until looking at it again. Blood and Rain was as good as ready in early 2016 but was published a year later. Mont Noir, the Amsterdam based novel, could have been published in 2018, but… you get it.

Up until now, I have sold my books at low prices. I’m not in it for the money and they don’t sell enough to make a difference to my finances. So, I came to a conclusion.

From today, all my books will be free. They will cost you nothing. I don’t care if I earn €2.99 per book or nothing at all. My job pays me, so my books don’t have to.

If you always wanted to read my novels but never had the money, now is the chance. The price has been implemented at Smashwords and should trickle to other retailers in the coming hours.

Thanks for your support.

Filed Under: Blog, Novel, Personal, Promotions, Writing Tagged With: black sand, blood and rain, free, free books, promotions, undir svörtum sandi, writing

Undir Svörtum Sandi – hinn langi vegur

17 October 2019 by villia Leave a Comment

Þessi dagur markar endalok langrar ferðar. Snemma á árinu 2006 – fyrir rúmum 13 árum – langaði mig að gera stuttmynd. Ég var nýbúinn að klára kvikmyndaskólann og framtíðin var björt. Hugmyndirnar komu og fóru, engin þeirra virtist vera sérstaklega spennandi. Mig langaði að gera íslenska mynd, ég saknaði landsins míns. Afi var veikur og ég vildi búa til ástæðu til að fara heim og vera þar í einhvern tíma. En það komu engar hugmyndir sem mér fannst þess virði að kvikmynda.

Kvöld eitt lagðist ég upp í rúm, lokaði augunum. Ég sá hana fyrir mér. Stúlkuna á heiðinni. Mörgum árum áður hafði ég verið að keyra yfir Hellisheiði um nótt. Var að fara að heimsækja afa og ömmu fyrir austan Selfoss. Þar sem ég kom upp brekkuna fyrir ofan Skíðaskálann, stóð stúlka við veginn. Ég man svo vel eftir henni. Hún var sennilega um 170cm á hæð, grönn og klædd eins og hún ynni á sjúkrahúsi. Ég sá hana of seint og keyrði framhjá. Skildi ekki hvað ung kona var að gera ein á heiðinni um miðja nótt, svo ég stoppaði, vildi gefa henni far ef hún þyrfti að komast heim, en það var enginn þarna. Morguninn eftir sagði ég afa frá þessu, hann fyllti inn í eyðurnar og ég var hissa að hann vissi hvar þetta nákvæmlega gerðist og hvernig hún var. Hann sagði mér að fleiri hefðu séð hana, að hún hefði búið á Selfossi of farist í bílslysi á þessum stað. Hún var í námi, vildi verða hjúkrunarkona og var á leiðinni í bæinn eftir jólafrí.

Mörgum árum seinna lá ég í rúminu og reyndi að sofna. Ég sá hana aftur þar sem ég lá með augun lokuð. Sá atburðarásina sem varð neistinn að stuttmyndinni sem mig langaði að gera. Konan við veginn, maðurinn keyrir of hratt, keyrir á hana. Hann liggur fram á stýrið og þorir ekki að athuga hvað hefur gerst, þegar hún ávarpar hann. Hún situr við hliðina á honum. Þau keyra af stað en það er eitthvað skrítið við þetta. Hún verður dekkri og óljósari, orð hennar óræðari. Svo fer henni að blæða, hann reynir að finna tissjú í hanskahólfinu, er ekki að fylgjast með veginum, hún biður hann um að hægja á sér en hann vill bara hjálpa henni. Þegar hann lítur upp, er það of seint. Hann sér konuna á veginum fyrir framan sig, reynir að beygja frá en bíllinn rennur til. Keyrir á hana. Hann liggur fram á stýrið og þorir ekki að athuga hvað hefur gerst. Þegar hann loks lítur upp, er hann einn. Hann staulast út úr bílnum og finnur hana við vegkantinn.

Þessi saga spilaði sig fyrir augum mínum í rúminu. Um leið og henni var lokið, sofnaði ég.

Morguninn eftir opnaði ég tölvuna og skrifaði þetta áður en ég gleymdi því. Pétur og Emilía voru komin í heiminn. Næstu vikur fóru í að finna út hvað sagan væri um og sumarið var ég tilbúinn að fara til Íslands og kvikmynda. Atburðarásin í bílnum var límið sem hélt myndinni saman, en önnur atriði gerðust hér og það í Íslandssögunni. Ég fann leikara og fullt af fólki sem langaði að hjálpa til. Amma þekkti til hjá Leikfélagi Selfoss og ég fékk lánaða búninga þar. Við tókum upp í Reykjavík, Breiðafirði, á Skógum, í Reynisfjöru og víðar.

Það kom fljótlega í ljós að sagan var of stór fyrir stuttmynd. Við byrjuðum að klippa hana strax eftir að ég kom aftur út til Hollands og fyrsta útgáfan var 45 mínútur. Það varð að klippa hann niður. Endanlega útgáfan var 23 mínútur, minnir mig, sem er eiginlega tvöfalt lengra en ég hefði talið æskilegt.

Í október 2008 var myndin sýnd á RIFF kvikmyndahátíðinni í Reykjavík. Fyrir þann tíma hafði fullt af fólki pantað diskinn. Það eru fullt af DVD diskum í hillum á Íslandi merktir Svartur Sandur. Það er þó ekki RIFF útgáfan. DVD útgáfan er ekki eitthvað sem ég myndi láta frá mér í dag. Ég lærði að maður á að klára hlutina áður en þeim er leyft að fara út í heiminn.

Fljótlega eftir að tökum var lokið fór ég að vinna í handriti að kvikmynd í fullri lengd. Það var komið í þokkalegt form haustið 2008. Ég sendi það á kvikmyndaframleiðendur á Íslandi og það voru einhverjir sem sáu eitthvað í því. Það var áhugi. Ég var vongóður og hélt áfram að skrifa og laga það til. Fljótlega eftir Hrunið varð þó augljóst að það voru engir peningar til og kvikmyndin yrði ekki gerð. Ég gafst þó ekki upp og hélt áfram að senda nýjustu útgáfurnar til leikstjóra og framleiðenda.

Einhvern tíma á árinu 2010 fékk ég skilaboð frá leikstjóra. Hann hafði lesið handritið og vildi hitta mig. Vildi segja mér að hann hefði ekki burði til að gera kvikmyndina en vildi koma því til skila að þetta væri mjög sérstök saga og að samtölin í handritinu væru þau bestu sem hann hefði séð í íslensku handriti. Þau væru eðlileg, ótilgerðarleg, lifandi. Hann afsakaði að geta ekki gert myndina en sagði mér að ég yrði að skrifa bók upp úr handritinu. Ég hló, fannst það allt of mikið stórvirki. Ég held varla nægri athygli til að klára kaffibolla. Hann hamraði og þegar ég gekk út af Hressó, hafði hann plantað þessu fræi.

Ég byrjaði strax að skrifa. Kláraði fyrsta kaflann en komst ekki lengra. Ákvað að reyna að skrifa á ensku og þá kom sagan hratt. Ári seinna var bókin tilbúin. Það angraði mig að ég hafði skrifað íslenska sögu á ensku, svo ég umturnaði öllu og lét söguna gerast í Skotlandi. Það eru enn leifar þess í bókinni sem kemur út í dag. Þar sem Pétur stendur efst í Hallgrímskirkjuturninum, pirrast hann á því að það séu engir djöflar og púkar á íslenskum kirkjum. Ég hafði nefnilega skrifað fyndið atriði þar sem hann er að fara að fremja sjálfsmorð en stendur í hrókasamræðum við púkana. Það var ekki hægt í íslenskum veruleika, svo hann hugsar um púkana sem eru ekki þarna.

Sumarið 2012 lét ég prenta sjö bækur og lét fólk hafa til að lesa og láta mig vita hvað mætti betur fara. Sex komu með athugasemdir um stafsetningu og minniháttar gloppur, en einn lesandinn var ekki sáttur. Þetta er íslensk saga, sagði hann. Af hverju er hún að gerast í Bretlandi? Þú þarft að endurskrifa þetta.

Mér féllust hendur. Sex ár voru liðin og ég þurfti að byrja upp á nýtt.

Ég settist niður og skrifaði. Það var seint í maí 2013 að ég var loksins búinn. Under the Black Sand var til, hún gerðist á Íslandi, var að vísu á ensku, en hún var tilbúin. Ég hafði hent út 10-20 atriðum úr fortíðinni, hreinsað hana, gert fyrsta kaflann aðgengilegri.

Bókin var upphaflega gefin út á Amazon. Það var bara hægt að fá hana sem rafbók. Ég hafði eytt svo miklum tíma í þetta að ég lét hana vera. Það voru engar skrúðgöngur, engin læti, engar tilraunir til að fá fólk til að taka eftir henni. Bókin var til og það var nóg.

Ég skrifaði aðra bók, Blood and Rain, vann í að skrifa Hunger City en hætti við að klára hana, fór að vinna í Mont Noir sem kemur sennilega út á næsta ári, bjó til miðaldaheim sem mig langaði að skoða og skrifa bókaröð um. Ég hugsaði líka um framhald, hvert gæti ég tekið Svarta Sandinn? Var það góð hugmynd að skrifa framhald? Mér fannst endirinn það sterkur að framhald yrði að vera það besta sem ég gæti nokkurn tíma skrifað.

Þar sem ég vann í öðrum verkefnum (og vann vinnu og aldi upp barn og meira), fór ég að hugsa um það hvernig Sandurinn kæmi út í íslenskri þýðingu. Það var fólk sem vildi vinna það verk en það dróst. Ég fór að skoða söguna. Hvernig væri tíma mínum best varið, í að þýða eitthvað sem þegar var til eða skrifa eitthvað nýtt.

Þar sem ég las bókina aftur, fannst mér hún eiga erindi við fólkið mitt á Íslandi. Ég yrði að gera þetta sjálfur. Þetta var mín saga, mín rödd, mín sýn á Ísland nútímans og sögu þjóðarinnar.

Það hefur tekið um tvö ár að þýða bókina. Það er með hléum. Íslenska útgáfan er eitthvað lengri en sú enska, það var svo gaman að leika sér með íslenska staðhætti og hugmyndir. Margir staðir sem voru óræðir í ensku útgáfunni því útlendingar þekkja þá ekki eru nefndir og þeim lýst á íslensku. Íslendingar vita strax hvað ég á við þegar ég segi Hólavallagarður, Fjölnisvegur, Langisjór, Meðalland, Móðuharðindi, Tjörnin.

Undir Svörtum Sandi var alltaf íslensk saga og það er ólýsanleg tilfinning að hafa loksins tekist að gera hana aðgengilega íslendingum. Það eina sem ég sé eftir er að afi og amma muni aldrei fá tækifæri til að lesa hana. Þeim entist ekki aldur til. Ég hefði kannski átt að vinna þetta hraðar, en ég er ekki sá sem ég var fyrir fimm eða tíu árum. Það er sennilega ástæða fyrir því að þessi bók er tilbúin núna en ekki þá.

Kæri lesandi. Þessi pistill er orðinn of langur, en ég vona að hann hafi gefið þér hugmynd um hvað Svarti Sandurinn er, hvaðan hann kom og af hverju þetta verður alltaf sú bók sem mér þykir vænst um. Ég vona innilega að þú fáir tækifæri til að lesa hana og að þú látir vita hvernig þú upplifðir hana.

Dagurinn í dag markar endalok ferðar sem hófst með lokuðum augum fyrir 13 árum, eða á heiðinni fyrir 31 ári. Sért þú að lesa þetta á útgáfudegi, langar mig að gefa þér eintak. Farðu á Smashwords og fylltu inn kóðann YZ68H og bókin er þín, endurgjaldslaust. Kóðinn gildir í dag, 17. október 2019.

Ég verð á landinu í næstu viku og tek nokkrar harðspjaldabækur með. Langi þig í prentaða bók, láttu mig vita.

Takk fyrir að lesa. Bókin mun nú öðlast eigið líf án minna afskipta. Hún er til, komin út í heiminn og mun nú lifa sjálfstæðu lífi.

Hér fyrir neðan eru tvö sýnishorn. Annað er myndband sem ég gerði við tónlist sem Guy Fletcher (Dire Straits) gerði fyrir myndina, hitt er stikla sem ég gerði fyrir ensku bókina. Þar syngur Samkór Selfoss (með afa) lagið Sofðu Unga Ástin Mín.

Filed Under: Film, Novel, Writing Tagged With: black sand, iceland, novel, publishing

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